Featured are new albums from Kristin Chenoweth, Darren Criss, and Todd Almond, a single from Billy Porter, a worthy initiative spawned by a holiday tune, and more.

What did critics think of the Stephen King-based sci-fi thriller?

Maxwell was the beloved star of such Broadway productions as 2011’s Follies, The Royal Family, and Chitty Chitty Bang Bang.

An improbable powdered wig, resting uncertainly on the head of conductor Constantine Kitsopoulos, popped up from the orchestra pit of the Imperial Theatre on May 2, and we were suddenly, officially, off to 18th-century England for a chaotic, character-cluttered, nigh-on-three-hour ride with Coram Boy, accompanied by choral surges of Handel.

Girl From the North Country becomes the final Broadway show to open before theatres are closed in 2020.

Your go-to guide on the Broadway stars—from Lin-Manuel Miranda to Audra McDonald—to catch on new series and seasons.

PATTI LuPONE
There are probably four, maybe five, artists whose recordings I eagerly await, and in that small but stellar group is the Tony and Olivier Award winning actress and singer Patti LuPone. From the moment I heard LuPone wrap her golden vocal chords around Andrew Lloyd Webber's score to Evita, I knew this was one of the unique voices of our time -- a voice with a huge belting range, capable of soaring to the rafters of any theatre as well as tugging at your heartstrings with softer, shaded tones. But what really separates LuPone from many singers is the actress that takes over when she interprets a lyric, whether it's a signature tune like "Don't Cry for Me Argentina" or "Meadowlark" or a gorgeous pairing of pop tunes like "Calling You" or "Get Here." So, it is a bit surprising that LuPone did not release a solo album until 1993, "Patti LuPone Live," a recording of her thrilling Los Angeles concert, which she repeated on Broadway to rave reviews. Fans (this one included) had to content themselves with her wonderful work on such show recordings as The Baker's Wife, Evita, Anything Goes, Les Miserables and Sunset Boulevard, which was released the same year as the aforementioned "Patti LuPone Live."

PATTI LuPONE
There are probably four, maybe five, artists whose recordings I eagerly await, and in that small but stellar group is the Tony and Olivier Award winning actress and singer Patti LuPone. From the moment I heard LuPone wrap her golden vocal chords around Andrew Lloyd Webber's score to Evita, I knew this was one of the unique voices of our time -- a voice with a huge belting range, capable of soaring to the rafters of any theatre as well as tugging at your heartstrings with softer, shaded tones. But what really separates LuPone from many singers is the actress that takes over when she interprets a lyric, whether it's a signature tune like "Don't Cry for Me Argentina" or "Meadowlark" or a gorgeous pairing of pop tunes like "Calling You" or "Get Here." So, it is a bit surprising that LuPone did not release a solo album until 1993, "Patti LuPone Live," a recording of her thrilling Los Angeles concert, which she repeated on Broadway to rave reviews. Fans (this one included) had to content themselves with her wonderful work on such show recordings as The Baker's Wife, Evita, Anything Goes, Les Misérables and Sunset Boulevard, which was released the same year as the aforementioned "Patti LuPone Live."

Caroline Bowman and Caroline Innerbichler star in the Disney musical.

The Disney production kicks off November 10 in Schenectady, New York.

Rob Ashford has replaced Christopher Gattelli as the musical’s choreographer.

The musical will open on Broadway in spring 2018 at the St. James Theatre.

Ralph Fiennes stars in a new production of George Bernard Shaw's Man and Superman, officially opening Feb. 25 at the National's Lyttelton Theatre following previews that began Feb. 17, for a run in rep through May 17. It will be broadcast as part of NT Live to cinemas around the U.K. and the world May 14.