After dancing on Broadway in Katherine Dunham's productions of Carib Song and Bal Negre, Kitt garnered critical attention with her turn in New Faces of 1952. Featuring sketches by Mel Brooks and music by Sheldon Harnick, the musical revue opened May 16, 1952, with then newcomers Alice Ghostley, Carol Lawrence and Paul Lynde.
Kitt stole the show with "Monotonous" and "Bal, Petit Bal," two songs she would later become known for. In his New York Times review, Brooks Atkinson wrote: "Eartha Kitt not only looks incendiary but she can make a song burst into flame." The revue ran for 365 performances at the Royale Theatre.
Read the New Faces of 1952 Playbill here.
The production opened March 1, 1978, at the Mark Hellinger Theatre and ran for 221 performances. The New York Times' Richard Eder called it a "lackluster show" with "relatively little to offer," but praised Kitt's "remarkable qualities" as a performer.
"Her lion face, which accommodates vast sultriness and a note of gleeful mockery at one and the same time," wrote Eder, "makes up for a fair amount of the show's other weaknesses." Kitt received a Tony Award nomination for Best Actress in a Musical.
Read the Timbuktu! Playbill in the Vault.
Directed by George C. Wolfe, the musical opened April 13, 2000, at the Virginia Theatre, where it ran for 68 performances. Kitt earned a second Tony Award nomination for her portrayal of Dolores, a fading stage star hanging on to her glamorous past.
Read the opening-night Playbill of The Wild Party here.
Read more about Eartha Kitt's theatrical history in the Vault.