Phantom Touring, LLC
Phantom of the Opera (Production Tour) - NYC ECC / Female Dancers (04.17.17)
Call Type: ECC
Producers: Cameron Mackintosh and The Really Useful Theater Company in association with NETworks Tours
Music: ANDREW LLOYD WEBBER
Lyrics: CHARLES HART
Additional Lyrics: RICHARD STILGOE
Book: RICHARD STILGOE & ANDREW LLOYD WEBBER
Based on novel ‘Le Fantôme de l’Opéra’ by GASTON LEROUX
Orchestrations: DAVID CULLEN & ANDREW LLOYD WEBBER
Musical Supervisor: JOHN RIGBY
Casting: Tara Rubin Casting
Choreographer: SCOTT AMBLER
Director: LAURENCE CONNOR
General Manager: Gentry & Assoc.
Video & Projection Design by NINA DUNN for Knifedge
Sound Design by MICK POTTER
Lighting Design by PAULE CONSTABLE
Costume Design by MARIA BJÖRNSON
Set Design by PAUL BROWN
Production overseen by MATTHEW BOURNE & CAMERON MACKINTOSH
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Female Dancers for the ensemble.
All female dancers should have a degree of innocence about them and look very young (18- 25). We need experienced, classically trained dancers.
In addition, there is the principal role of ‘Meg’ who is a member of the Corps de Ballet. She should appear to be between 16 and 18 years old. The range is mezzo-soprano to G.
Pearl Studios NYC (519)
519 8th Ave
New York, NY 10018
Monday, April 17, 2017
Most of the audition will be on POINTE. Please have pointe shoes and flat ballet shoes with you. All dancers, please be dressed, warmed up and ready to dance at the hour the audition begins. If asked to stay and sing, choose music from the musical theatre repertoire that best shows off your voice and range. Bring sheet music in your key. An accompanist will be provided. There is no solo singing for the dancers (except ‘Meg’), but they will have to carry some vocal responsibility in the ensemble numbers.