Read Reviews for Broadway's The Rose Tattoo, Starring Marisa Tomei and Emun Elliott | Playbill

The Verdict Read Reviews for Broadway's The Rose Tattoo, Starring Marisa Tomei and Emun Elliott Trip Cullman directs Tennessee Williams’ Tony-winning play, about a widow who finds passion in the arms of a new man.
Emun Elliott and Marisa Tomei in The Rose Tattoo Joan Marcus

Roundabout Theatre Company’s revival of The Rose Tattoo opens October 15 at American Airlines Theatre on Broadway. Trip Cullman directs the Tony-winning drama from Tennessee Williams, starring Oscar winner Marisa Tomei (My Cousin Vinny) as Serafina and Emun Elliott (Game of Thrones) as Alvaro.

Tomei reprises her performance from the 2016 Williamstown Theater Festival production, also helmed by Cullman.

Read reviews below. Playbill will continue to update.

Broadway News (Charles Isherwood)

The Daily Beast (Tim Teeman)

Deadline (Greg Evans)

Entertainment Weekly (Lauren Morgan)

The Guardian (Alexis Soloski)

The Hollywood Reporter (David Rooney)

The New York Daily News (Chris Jones)

NY1 (Roma Torre)

Observer (Rex Reed)

New York Stage Review (Melissa Rose Bernardo and David Finkle)

Theater News Online (Joe Dziemianowicz)

Time Out New York (Adam Feldman)

The New York Times (Ben Brantley)

Variety (Marilyn Stasio)

The Wrap (Robert Hofler)

Rounding out the cast are Cassie Beck as Miss Yorke, Alexander Bello as Salvatore, Tina Benko as Estelle Hoehengarten, Andréa Burns as Peppina, Susan Cella as Giuseppina, Paige Gilbert as Bessie, Greg Hildreth as The Salesman, Isabella Iannelli as Vivi, Jacob Michael Laval as Bruno, Ellyn Marie Marsh as Violetta, Carolyn Mignini as Assunta, Portia as Flora, Ella Rubin as Rosa, Jennifer Sánchez as Mariella, Constance Shulman as The Strega, and Burke Swanson as Jack.

Williams’ The Rose Tattoo, which won the Tony for Best Play in 1951, is the story of a Sicilian-American widow living on the Gulf Coast who finds passion in the arms of a new man. Following its Broadway premiere, the play was subsequently revived in 1966 and 1995.

The production features scenic design by Mark Wendland, costume design by Clint Ramos, lighting design by Ben Stanton, sound design by Fitz Patton, and projection design by Lucy Mackinnon.

With The Rose Tattoo, Roundabout continues its history of producing Williams’ work, following productions of Summer and Smoke (1975 and 1996), The Night of the Iguana (1996), The Glass Menagerie (1994 and 2010), A Streetcar Named Desire (2005), Suddenly Last Summer (2006), and The Milk Train Doesn’t Stop Here Anymore (2011).

 
Latest News
 X

Blocking belongs
on the stage,
not on websites.

Our website is made possible by
displaying online advertisements to our visitors.

Please consider supporting us by
whitelisting playbill.com with your ad blocker.
Thank you!